1. The seven deadly
sins are expressions of love bent inward.
—
“All the Seven Deadly Sins are demonstrations of love that has
gone wrong. They spring from the impulse, which is natural in us, to love
what pleases us, but that love is misplaced or weakened or distorted” (34).
—
These sins in the end “interrupts, and in the end destroy, one’s
capacity to love other objects that are also and perhaps even more deserving .
. . If the sins begin in love, they end in lovelessness. Given that they are
all loveless, they are all as serious . . . What the . . . Seven Deadly Sins
shows us is how various are the forms that this lovelessness can and does
take”
(35).
2. The seven deadly sins
are more likely to become dispositional.
•
“Are certain sins more serious than other sins? . . . although
no sin is a trivial matter, certain sins are worse than others . . . It [the
deadly sins] place us in greater spiritual jeopardy than others do” (1).
•
“Certain sins are judged to be deadly because they are very
likely to become dispositional, and thus relatively permanent features of an
individual’s orientation to life . . . The dictionary defines a disposition as
a ‘normal or prevailing aspect of one’s nature,’ . . . Thus, certain sins are
more deadly than others because they are more likely to become dispositional
in nature, disposing us toward a sinful orientation to life” (2).
3. The seven deadly sins
vis-à-vis the saving virtues.
4.
Why are some sins more “deadly” than other sins?
•
. . . the traditional deadly sins are “deadly” because they are
terribly difficult to get rid of once they have taken hold of us. Like a
deadly cancer, they are a wasting disease that spreads, expands, and takes on
new forms.
•
Capps also suggests that from these seven root sins branch out
all other forms of sin. That is, every sin is a variation of the seven deadly
sins. Every sin is a deformed, twisted version of God’s love.